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Phallus indusiatus, commonly called the basket stinkhorn, bamboo mushrooms, bamboo pith, long net stinkhorn, crinoline stinkhorn, bridal veil, or veiled lady, is a fungus in the family Phallaceae, or stinkhorns. It has a cosmopolitan distribution in tropical areas, and is found in southern Asia, Africa, the Americas, and Australia, where it grows in woodlands and gardens in rich soil and well-rotted woody material. The fruit body of the fungus is characterised by a conical to bell-shaped cap on a stalk and a delicate lacy "skirt", or indusium, that hangs from beneath the cap and reaches nearly to the ground. First described scientifically in 1798 by French botanist Étienne Pierre Ventenat, the species has often been referred to a separate genus Dictyophora along with other Phallus species featuring an indusium. P. indusiatus can be distinguished from other similar species by differences in distribution, size, color, and indusium length.
The dynasty's history is divided into two periods: during the Northern Song (北宋; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now East China. The Southern Song (南宋; 1127–1279) comprise the period following the loss of control over the northern half of Song territory to the Jurchen-led Jin dynasty in the Jin–Song wars. At that time, the Song court retreated south of the Yangtze and established its capital at Lin'an (now Hangzhou). Although the Song dynasty had lost control of the traditional Chinese heartlands around the Yellow River, the Southern Song Empire contained a large population and productive agricultural land, sustaining a robust economy. In 1234, the Jin dynasty was conquered by the Mongols, who took control of northern China, maintaining uneasy relations with the Southern Song. Möngke Khan, the fourth Great Khan of the Mongol Empire, died in 1259 while besieging the mountain castle Diaoyucheng in Chongqing. His younger brother Kublai Khan was proclaimed the new Great Khan and in 1271 founded the Yuan dynasty. After two decades of sporadic warfare, Kublai Khan's armies conquered the Song dynasty in 1279 after defeating the Southern Song in the Battle of Yamen, and reunited China under the Yuan dynasty. (Full article...)
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A cannon is a large-caliber gun classified as a type of artillery, which usually launches a projectile using explosive chemical propellant. Gunpowder ("black powder") was the primary propellant before the invention of smokeless powder during the late 19th century. Cannons vary in gauge, effective range, mobility, rate of fire, angle of fire and firepower; different forms of cannon combine and balance these attributes in varying degrees, depending on their intended use on the battlefield. A cannon is a type of heavy artillery weapon. The word cannon is derived from several languages, in which the original definition can usually be translated as tube, cane, or reed.
The earliest known depiction of cannons may have appeared in Song dynasty China as early as the 12th century; however, solid archaeological and documentary evidence of cannons do not appear until the 13th century. In 1288, Yuan dynasty troops are recorded to have used hand cannons in combat, and the earliest extant cannon bearing a date of production comes from the same period. By the end of the 14th century, cannons were widespread throughout Eurasia. (Full article...)
The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the navy's dockyards in Nanjing were the largest in the world. He also took great care breaking the power of the court eunuchs and unrelated magnates, enfeoffing his many sons throughout China and attempting to guide these princes through the Huang-Ming Zuxun, a set of published dynastic instructions. This failed when his teenage successor, the Jianwen Emperor, attempted to curtail his uncle's power, prompting the Jingnan campaign, an uprising that placed the Prince of Yan upon the throne as the Yongle Emperor in 1402. The Yongle Emperor established Yan as a secondary capital and renamed it Beijing, constructed the Forbidden City, and restored the Grand Canal and the primacy of the imperial examinations in official appointments. He rewarded his eunuch supporters and employed them as a counterweight against the Confucian scholar-bureaucrats. One eunuch, Zheng He, led seven enormous voyages of exploration into the Indian Ocean as far as Arabia and the eastern coasts of Africa. Hongwu and Yongle emperors had also expanded the empire's rule into Inner Asia. (Full article...)
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Tintin in Tibet (French: Tintin au Tibet) is the twentieth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from September 1958 to November 1959 in Tintin magazine and published as a book in 1960. Hergé considered it his favourite Tintin adventure and an emotional effort, as he created it while suffering from traumatic nightmares and a personal conflict while deciding to leave his wife of three decades for a younger woman. The story tells of the young reporter Tintin in search of his friend Chang Chong-Chen, who the authorities claim has died in a plane crash in the Himalayas. Convinced that Chang has survived and accompanied only by Snowy, Captain Haddock and the Sherpa guide Tharkey, Tintin crosses the Himalayas to the plateau of Tibet, along the way encountering the mysterious Yeti.
Following The Red Sea Sharks (1958) and its large number of characters, Tintin in Tibet differs from other stories in the series in that it features only a few familiar characters and is also Hergé's only adventure not to pit Tintin against an antagonist. Themes in Hergé's story include extrasensory perception, the mysticism of Tibetan Buddhism, and friendship. Translated into 32 languages, Tintin in Tibet was widely acclaimed by critics and is generally considered to be Hergé's finest work; it has also been praised by the Dalai Lama, who awarded it the Light of Truth Award. The story was a commercial success and was published in book form by Casterman shortly after its conclusion; the series itself became a defining part of the Franco-Belgian comics tradition. Tintin in Tibet was adapted for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, the 1992–93 BBC Radio 5 dramatisation of the Adventures, the 1996 video game of the same name, and the 2005–06 Young Vic musical Hergé's Adventures of Tintin; it was also prominently featured in the 2003 documentary Tintin and I and has been the subject of a museum exhibition. (Full article...)
Both in its lyrics and instruments, the song mixes traditional Chinese styles with modern rock elements. In the lyrics, the speaker addresses a girl who is scorning him because he has nothing. However, the song has also been interpreted as being about the dispossessed youth of the time, because it evokes a sense of disillusionment and lack of individual freedom that was common among the young generation during the 1980s. (Full article...)
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Publicity photo of Anna May Wong from Stars of the Photoplay, 1930
Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio.
Born in Los Angeles to second-generation Taishanese Chinese American parents, Wong became engrossed in films and decided at the age of 11 that she would become an actress. Her first role was as an extra in the movie The Red Lantern (1919). During the silent film era, she acted in The Toll of the Sea (1922), one of the first films made in color, and in Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon and had achieved international stardom in 1924. Wong had been one of the first to embrace the flapper look. In 1934, the Mayfair Mannequin Society of New York voted her the "world's best dressed woman." In the 1920s and 1930s, Wong was acclaimed as one of the top fashion icons. (Full article...)
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A stamp of Zhang Heng issued by China Post in 1955
Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. (Full article...)
Hu lived in Nanjing during the transition from the Ming dynasty to the Qing dynasty. A Ming loyalist, he was offered a position at the rump court of the Hongguang Emperor, but declined the post, and never held anything more than minor political office. He did, however, design the Hongguang Emperor's personal seal, and his loyalty to the dynasty was such that he largely retired from society after the emperor's capture and death in 1645. He owned and operated an academic publishing house called the Ten Bamboo Studio, in which he practised various multi-colour printing and embossing techniques, and he employed several members of his family in this enterprise. Hu's work at the Ten Bamboo Studio pioneered new techniques in colour printmaking, leading to delicate gradations of colour which were not previously achievable in this art form. (Full article...)
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Song dynasty river ship armed with a trebuchet catapult on its top deck, from the Wujing Zongyao
The Battle of Caishi (Chinese: 采石之戰) was a major naval engagement of the Jin–Song Wars of China that took place on November 26–27, 1161. It ended with a decisive Song victory, aided by their use of gunpowder weapons.
Rob-B-Hood (traditional Chinese: 寶貝計劃; simplified Chinese: 宝贝计划, also known as Robin-B-Hood, literally: Baby Project) is a 2006 Hong Kong actioncomedydrama film written, produced and directed by Benny Chan, feature an ensemble cast include Jackie Chan, Louis Koo, Yuen Biao, Michael Hui, Gao Yuanyuan, Charlene Choi, Chen Baoguo and Matthew Medvedev. It tells the story of a kidnapping gone wrong in Hong Kong; a trio of burglars consisting of Thongs (Chan), Octopus (Koo) and the Landlord (Hui) kidnap a baby from a wealthy family on behalf of triads. With the Landlord arrested, Thongs and Octopus take care of the baby for a short time, developing strong bonds with him. Reluctant to hand the baby over, the two are forced to protect him from the triads who hired them in the first place.
Originally announced in 2005, the film marked Benny Chan's third collaboration with Jackie Chan, following Who Am I? and New Police Story. It was produced with a budget of HK$16.8 million and filming took place in Hong Kong between December 2005 and January 2006. Rob-B-Hood is the first film in over 30 years in which Jackie Chan plays as a thief. (Full article...)
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a neorealist/documentary style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. (Full article...)
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Engravings on a cliff-side near a widely accepted candidate site for the battlefield, in the vicinity of Chibi, Hubei. The engravings are at least 1000 years old, and include the Chinese characters 赤壁 ('red cliffs') written from right to left.
The Battle of Red Cliffs, also known as the Battle of Chibi, was a decisive naval battle in China that took place during the winter of AD 208–209. It was fought on the Yangtze River between the forces of warlords controlling different parts of the country during the end of the Han dynasty. The allied forces of Sun Quan, Liu Bei, and Liu Qi based south of the Yangtze defeated the numerically superior forces of the northern warlord Cao Cao. By doing so, Liu Bei and Sun Quan prevented Cao Cao from conquering any lands south of the Yangtze, frustrating Cao Cao's efforts to reunify the territories formerly held by the Eastern Han dynasty.
The allied victory at Red Cliffs ensured the survival of Liu Bei and Sun Quan and left them in control of the Yangtze, establishing defensible frontiers that would later serve as the basis for the states of Shu Han and Eastern Wu during the Three Kingdoms period (220–280). Historians have arrived at different conclusions in their attempts to reconstruct the timeline of events at Red Cliffs. The location of the battlefield itself remains a subject of debate: most scholars consider either a location southwest of present-day Wuhan, or a location northeast of Baqiu in present-day Yueyang, Hunan as plausible candidate sites for the battle. The battle has been the subject of or influenced numerous poems, dramas, movies and games. (Full article...)
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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
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Zhou Tong stroking his beard
Zhou Tong (Chinese: 周同 and 周侗; pinyin: Zhōu Tóng; died late 1121) was the archery teacher and second military arts tutor of famous Song dynasty general Yue Fei. Originally a local hero from Henan, he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb twice a month and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.
With the publishing of Yue Fei's 17th folklore biography, The Story of Yue Fei (1684), a new, fictional Zhou Tong emerged, who differed greatly from his historical persona. Not only was he now from Shaanxi, but he was Yue's adopted father, a learned scholar with knowledge of the eighteen weapons of war, and his personal name was spelled with a different, yet related, Chinese character. The novel's author portrayed him as an elderly widower and military arts tutor who counted Lin Chong and Lu Junyi, two of the fictional 108 outlaws on which the Water Margin is based, among his former pupils. A later republican erafolktale by noted Yangzhou storyteller Wang Shaotang not only adds Wu Song to this list, but represents Zhou as a knight-errant with supreme swordsmanship. The tale also gives him the nickname "Iron Arm", which he shares with the executioner-turned-outlaw Cai Fu, and makes the outlaw Lu Zhishen his sworn brother. Because of his association with the outlaws, he is often confused with the similarly named outlaw Zhou Tong. (Full article...)
... that swimmer Jin Hao competed in eight events, the most of any participant, during the 2001 National Games of China, causing him to lose 4 kilograms (8.8 lb)?
Hunan cuisine, also known as Xiang cuisine, consists of the cuisines of the Xiang River region, Dongting Lake and western Hunan Province in China. It is one of the Eight Great Traditions of Chinese cuisine and is well known for its hot and spicy flavours, fresh aroma and deep colours. Despite this, only about 20% of the cuisine uses capsicum to produce a strong spicy taste. Common cooking techniques include stewing, frying, pot-roasting, braising and smoking. Due to the high agricultural output of the region, ingredients for Hunan dishes are many and varied. (Full article...)
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The title page of a 16th century Ming print of the Zuo Zhuan
The Zuo Zhuan (Chinese: 左傳; Wade–Giles: Tso Chuan; [tswò ʈʂwân]), often translated as The Zuo Tradition or as The Commentary of Zuo, is an ancient Chinese narrative history traditionally regarded as a commentary on the ancient Chinese chronicle the Spring and Autumn Annals. It comprises 30 chapters covering the period from 722 to 468BC, and focuses mainly on political, diplomatic, and military affairs from that era.
For many centuries, the Zuo Zhuan was the primary text through which educated Chinese learned their ancient history. The Zuo Zhuan does not simply explain the wording of the Spring and Autumn Annals, but rather expounds upon its historical background with rich and lively accounts of the history and culture of the Spring and Autumn period (771–476 BC). The Zuo Zhuan is the source of more Chinese sayings and idioms than any other classical work, and its concise, flowing style served as a paragon of elegant Classical Chinese. Its tendency toward third-person narration and portraying characters through direct speech and action became hallmarks of Chinese narrative in general, and its style was imitated by historians, storytellers, and ancient-style prose masters for over 2000 years of subsequent Chinese history. (Full article...)
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The Butterfly Dream, by Chinese painter Lu Zhi (c. 1550)
The Zhuangzi (historically romanized Chuang Tzŭ) is an ancient Chinese text that is one of the foundational texts of Taoism, alongside the Tao Te Ching, Neiye, Liezi and Wenzi. It was written during the late Warring States period (476–221 BC) and is named for its traditional author, Zhuang Zhou, who is customarily known as "Zhuangzi" ("Master Zhuang").
The Zhuangzi consists of stories and maxims that exemplify the nature of the ideal Taoist sage. It contains numerous anecdotes, allegories, parables, and fables, often expressed with irreverence or humor. Recurring themes include embracing spontaneity and achieving freedom from the human world and its conventions. The text aims to illustrate the arbitrariness and ultimate falsity of dichotomies normally embraced by human societies, such as those between good and bad, large and small, life and death, or human and nature. In contrast with the focus on good morals and personal duty expressed by many Chinese philosophers of the period, Zhuang Zhou promoted carefree wandering and following nature, through which one would ultimately become one with the "Way" (Tao). (Full article...)
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Chinese dead on the approaches to the Hook, late July 1953
During the action, the PVA attempted to make a breakthrough to the Imjin River along the divisional boundary between the US 1st Marine Division and the 1st Commonwealth Division to turn the 1st Marine Division's flank. Yet with well-coordinated indirect fire from the divisional artillery, including the 16th Field Regiment, Royal New Zealand Artillery, and support from British Centurion tanks of the 1st Royal Tank Regiment, 2 RAR successfully thwarted both assaults, holding the Hook. UN sources estimated PVA casualties at 2,000 to 3,000 killed, with the majority of them inflicted by the New Zealand gunners. Meanwhile, on the left flank, US Marines endured the brunt of the attack, repelling the PVA onslaught with infantry and artillery. Only a few hours later, the armistice agreement was signed, ultimately ending the war. Both sides subsequently withdrew 2 kilometres (1.2 mi) within 72 hours to create the 4-kilometre (2.5 mi) Korean Demilitarised Zone. (Full article...)
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Japanese tanks attacking Nanjing's Zhonghua Gate under artillery fire
Following the outbreak of war between Japan and China in July 1937, the Japanese and Chinese forces engaged in the vicious three-month Battle of Shanghai, where both sides suffered heavy casualties. The Japanese eventually won the battle, forcing the Chinese army into a withdrawal. Capitalizing on their victory, the Japanese officially authorized a campaign to capture Nanjing. The task of occupying Nanjing was given to General Iwane Matsui, the commander of Japan's Central China Area Army, who believed that the capture of Nanjing would force China to surrender and thus end the war. Chinese leader Chiang Kai-shek ultimately decided to defend the city and appointed Tang Shengzhi to command the Nanjing Garrison Force, a hastily assembled army of local conscripts and the remnants of the Chinese units who had fought in Shanghai. (Full article...)
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On June 2, 2012, Feng Jianmei (Chinese: 冯建梅; pinyin: Féng Jiànméi) was forced to have an abortion in Zhenping County, Shaanxi, China, when she was seven months pregnant with her second child. Local officials had demanded that she and her husband pay a 40,000 yuan fine for violating the nation's one-child policy. When they were unable to do so, authorities arrested Feng, made her sign an agreement to have an abortion, and held her down while injecting her with an abortifacient. She was reportedly traumatized by the incident and in poor health afterwards.
On June 11, Feng's family posted graphic pictures of her stillborn child. The images soon became a viral phenomenon, sparking controversy within China and drawing international attention to the issue of forced abortions. In response to national and international attention, the Chinese government launched an investigation. On June 26, the investigation determined that Feng was not legally entitled to a second child, but that her rights had nonetheless been violated by the local family planning bureau, and as a result, two officials were fired and five others punished. On June 27, the National Population and Family Planning Commission announced it would send inspection teams across China to review the practices of local family planning divisions. Feng's husband, Deng Jiyuan (Chinese: 邓吉元; pinyin: Dèng Jíyuán), hired a lawyer to pursue criminal charges, but ultimately the family decided to settle out of court. (Full article...)
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The North West Coast during the maritime fur trade era, about 1790 to 1840
The trade mostly serviced the market in Qing China, which imported furs and exported tea, silks, porcelain, and other Chinese goods, which were then sold in Europe and in the United States. (Full article...)
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A Northern Song coin (sheng song yuan bao聖宋元寶) The economy of the Song dynasty (960–1279) has been characterized as the most prosperous in the world at the time. The dynasty moved away from the top-down command economy of the Tang dynasty (618–907) and made extensive use of market mechanisms as national income grew to be around three times that of 12th century Europe. The dynasty was beset by invasions and border pressure, lost control of North China in 1127, and fell in 1279. Yet the period saw the growth of cities, regional specialization, and a national market. There was sustained growth in population and per capita income, structural change in the economy, and increased technological innovation such as movable print, improved seeds for rice and other commercial crops, gunpowder, water-powered mechanical clocks, the use of coal as an industrial fuel, improved iron and steel production, and more efficient canal locks. China had a steel production of around 100,000 tons plus urban cities with millions of people at the time.
Commerce in global markets increased significantly. Merchants invested in trading vessels and trade which reached ports as far away as East Africa. This period also witnessed the development of the world's first banknote, or printed paper money (see Jiaozi, Guanzi, Huizi), which circulated on a massive scale. A unified tax system and efficient trade routes by road and canal meant the development of a nationwide market. Regional specialization promoted economic efficiency and increased productivity. Although much of the central government's treasury went to the military, taxes imposed on the rising commercial base refilled the coffers and further encouraged the monetary economy. Reformers and conservatives debated the role of government in the economy. The emperor and his government still took responsibility for the economy, but generally made fewer claims than in earlier dynasties. The government did, however, continue to enforce monopolies on certain manufactured items and market goods to boost revenues and secure resources that were vital to the empire's security, such as tea, salt, and chemical components for gunpowder. (Full article...)
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Laozi, one of the most important gods in Lingbao Daoism The Lingbao School (simplified Chinese: 灵宝派; traditional Chinese: 靈寶派; pinyin: Líng Bǎo Pài), also known as the School of the Sacred Jewel or the School of Numinous Treasure, was an important Daoist school that emerged in China in between the Jin dynasty and the Liu Song dynasty in the early fifth century CE. It lasted for about two hundred years until it was absorbed into the Shangqing and Zhengyi currents during the Tang dynasty. The Lingbao School is a synthesis of religious ideas based on Shangqing texts, the rituals of the Celestial Masters, and Buddhist practices.
The Lingbao School borrowed many concepts from Buddhism, including the concept of reincarnation, and also some cosmological elements. Although reincarnation was an important concept in the Lingbao School, the earlier Daoist belief in attaining immortality remained. The school's pantheon is similar to Shangqing and Celestial Master Daoism, with one of its most important gods being the deified form of Laozi. Other gods also existed, some of whom were in charge of preparing spirits for reincarnation. Lingbao ritual was initially in individual practice, but later went through a transformation that put more emphasis on collective rites. The most important scripture in the Lingbao School is known as the Five Talismans (Wufujing), which was compiled by Ge Chaofu and based on Ge Hong's earlier alchemical works. (Full article...)
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The Deliberative Council of Princes and Ministers (traditional Chinese: 議政王大臣會議; simplified Chinese: 议政王大臣会议; pinyin: Yìzhèng Wáng Dàchén Huìyì), also known as the Council of Princes and High Officials and Assembly of Princes and High Officials, or simply as the Deliberative Council (traditional Chinese: 議政處; simplified Chinese: 议政处; pinyin: Yìzhèng Chù; Manchu: ᡥᡝᠪᡝ ᡳ ᠪᠠ, Möllendorff: hebe-i ba), was an advisory body for the emperors of the early Qing dynasty (1644–1912). Derived from informal deliberative groups created by Nurhaci (1559–1626) in the 1610s and early 1620s, the Council was formally established by his son and successor Hong Taiji (1592–1643) in 1626 and expanded in 1637. Staffed mainly by Manchu dignitaries, this aristocratic institution served as the chief source of advice on military matters for Hong Taiji and the Shunzhi (r. 1643–1661) and Kangxi (r. 1661–1722) emperors. It was particularly powerful during the regencies of Dorgon (1643–1650) and Oboi (1661–1669), who used it to enhance their personal influence.
After serving as the most influential policymaking body of the dynasty for more than a century, the Deliberative Council was displaced and then made obsolete by the more ethnically mixed Grand Council, which the Yongzheng Emperor (r. 1722–1735) created in the late 1720s to circumvent the influence of the deliberative princes and ministers. The Deliberative Council was formally abolished in 1792. (Full article...)
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Yang Shoujing at age 75
Yang Shoujing (Chinese: 楊守敬; pinyin: Yáng Shǒujìng; Wade–Giles: Yang Shou-ching; 1839 – 9 January 1915) was a Chinese antiquarian, bibliophile, calligrapher, diplomat, geographer, and historian. He is best known for the historical atlasLidai yudi tu, commonly called the Yangtu ("Yang's atlas"), the most complete and scholarly historical atlas of China produced during the Qing dynasty. He devoted most of his life to the annotation of the 6th-century geographic work Shui jing zhu, which was completed by his disciple Xiong Huizhen and published as the Shui jing zhu shu.
As a Qing diplomat posted in Japan, Yang purchased tens of thousands of ancient Chinese books from Japanese libraries and archives, many of which had become rare or lost in China. After his death, the government of the Republic of China purchased his collection and preserved most of the books in the National Palace Museum. (Full article...)
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Asia League Ice Hockey (Japanese: アジアリーグアイスホッケー; Korean: 아시아리그 아이스하키) or ALIH (AL) is an association which operates a professional ice hockey league based in East Asia, with teams from Japan, South Korea, and formerly China and Russia. The league is headquartered in Japan. At the end of the playoffs every year the winner is awarded the Championship Trophy.
The league was formed in 2003 due to declining popularity in the Japan Ice Hockey League and the folding of the Korean Ice Hockey League. It was formed with the goal of promoting hockey and developing players' skills. The league initially comprised five teams in two countries. It expanded to highs of four countries (2004–05 season) and nine teams (2005–06 season) and it comprised eight teams from three countries in the 2013–14 season. Prior to the 2014–15 season, a Russian team from Yuzhno-Sakhalinsk, HC Sakhalin, was affiliated to the league. (Full article...)
Born into a prominent family in Changshu, as a student in Shanghai he joined the Chinese Communist Party (CCP) during the May Thirtieth Movement in 1925, and became a key technical specialist in the early history of the CCP. After Chiang Kai-shek's Kuomintang (KMT) massacred the Communists in 1927, Li was recruited by Zhou Enlai as the communications head of the Central Special Operations Division (Teke), the CCP's intelligence agency, and created the CCP's first underground radio station. After his close friend and colleague Gu Shunzhang defected to the KMT in 1931, Li was forced into exile in the Soviet Union, where he studied to become a radio expert and published a book on rhombic antenna. (Full article...)
Portia labiata is a jumping spider (family Salticidae) found in Sri Lanka, India, southern China, Burma (Myanmar), Malaysia, Singapore, Java, Sumatra and the Philippines. In this medium-sized jumping spider, the front part is orange-brown and the back part is brownish. The conspicuous main eyes provide vision more acute than a cat's during the day and 10 times more acute than a dragonfly's, and this is essential in P. labiata′s navigation, hunting and mating.
The genusPortia has been called "eight-legged cats", as their hunting tactics are as versatile and adaptable as a lion's. All members of Portia have instinctive hunting tactics for their most common prey, but often can improvise by trial and error against unfamiliar prey or in unfamiliar situations, and then remember the new approach. While most jumping spiders prey mainly on insects and by active hunting, females of Portia also build webs to catch prey directly and sometimes join their own webs on to those of web-based spiders. Both females and males prefer web spiders as prey, followed by other jumping spiders, and finally insects. In all cases females are more effective predators than males. (Full article...)
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The Liuhe Pagoda, or Six Harmonies Pagoda, in Hangzhou, 60 m (197 ft) in height, erected in 1156 and completed in 1165 AD The architecture of the Song dynasty (960–1279) was noted for its towering Buddhistpagodas, enormous stone and wooden bridges, lavish tombs, and extravagant palaces. Although literary works on architecture existed beforehand, architectural writing blossomed during the Song dynasty, maturing into a more professional form that described dimensions and working materials in a concise, organized manner. In addition to the examples still standing, depictions in Song artwork, architectural drawings, and illustrations in published books all aid modern historians in understanding the architecture of the period.
The professions of architect, master craftsman, carpenter, and structural engineer did not have the high status of the Confucian scholar-officials during the dynastic era. Architectural knowledge had been passed down orally for thousands of years, usually from craftsman fathers to their sons. There were also government agencies and schools for construction, building, and engineering. The Song dynasty's building manuals aided not only the various private workshops, but also the craftsmen employed by the central government. (Full article...)
Image 14Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 26Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 58Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 59Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 60Official map of the Qing Empire published in 1905 (from History of China)
Image 61Range of Chinese dialect groups according to the Language Atlas of China. (from Chinese culture)
Image 62Chinese Export—European Market, 18th century - Tea Caddy (lid) (from Chinese culture)
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The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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